Tag Archives: romance

Short Story: It Was Easier

itwaseasierI’m so pleased to announce my short story, IT WAS EASIER, appeared today in the music-themed literary magazine, Mixtape Methodology. This is an especially exciting event for me because my first novel, RADIO HEAD is musical fiction. Also, the Middle Grade novel I’m currently working on is entitled, HOW I LEARNED TO PLAY GUITAR. Clearly, music is oh, kinda important to me, and my readership. I’m so grateful to have an opportunity to reach out to the music-loving readers who look to Mixtape Methodology for inspiration. As you’ll notice, I’m also sporting my nom de plume for this story. Inside scoop: the band Grounder mentioned in this story is featured in my novel, Radio Head. (Can I just add how incredibly exciting it is to see my fictional band in print? Yay!)

Please do me the honor of giving it a read. Your comments and feedback are welcome! Thank you, and happy writing! Publishing dreams do come true.

It was easier when we were just friends. He never minded when I teased him for brewing coffee in a French press. True, it tasted better than the burnt water we serve at the pub, embittered by months of amber residue lining the carafe’s wall. But Julian’s beans were roasted with the fear of having to learn anything new. And I mean anything; the guy is teched so low he still uses a land line.

It was easier when he was just Julian: oil painter, plagiarizer of Grounder lyrics, and lender of decent books. When we were friends, I couldn’t let him down. Over the two years we dated, I disappointed him so frequently I never gave him an opportunity to displace his offense with an offer of love.

When he told me he was seeing someone new, the tight grip I’d held to my end of our connection fell as slack as his. Limp between us, the provocative manacle lay prone, taunting me to text him a photo with no subtle indication I’d taken it up again. Julian doesn’t have a phone to access such an image, of course.

Continue reading IT WAS EASIER at Mixtape Methodology

Mixtape Methodology is a place for writing about music, for writing that wants to be music, for writing that wants the emotional immediacy of music, for those of us who want to experience the mental takedown of sonic oblivion through as many psychological pathways as possible, for those of us who want to dance about architecture.

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Feel the Heat: Sex and Fiction. 8 Tips for Building Tension

Will your fictional characters, at some point, hit the sheets?

As most of us creative types enjoy a delicious romp in the sack in real life, it shouldn’t be too difficult to apply our trusty, book-enhancing observational skills to break down, scene by scene, moment by smokin’-hot moment, the escalating tension between our first horny thought and the ultimate coupling of bodies. Right?

Wait, should we depend on our own experiences, and are we willing
to “expose” our own life experiences on the page for everyone (hi mom) to see?

Dallas romance writer (and bewitching twitterati) Roni Loren  posted some effective advice for amping the sexual tension on her blog, fictiongroupie.blogspot.com. “From YA all the way to the steamiest of romances, this is a vital ingredient if you have any kind of romance thread whatsoever,” says Loren. “Even if a kiss never happens, you can have your reader sweating through a scintillating ‘will they/won’t they’ tension so that even if the characters grab one other’s hands, your reader will hold her breath.”

So how do we create this tension so that when you finally give your reader the big payoff–the kiss, the “I love you,” the boom-chicka-wah-wah?

Author Roni Loren’s advice for building sexual tension:

1. Make the attraction that each feels for the other obvious to the reader.

The characters are hyper-aware of all the little details of the person when he/she is around. Use all the senses not just sight. (Note: this is an
opportunity to illustrate aspects of your characters, whether those  are physical traits, or emotional: her Daddy issues, his preference for redheads thanks to an unexpected overture by a cherry-haired vixen in his youth, her need to learn to trust again, his tendency to rescue, etc. -RL)

2. No conflict = no tension

Make sure there are good reasons why these two can’t be together–internal and external.

3. Use internal dialogue

The hero may be clenching his hands at his sides, but tell us why: the urge to reach out and touch the heroine’s hair is overwhelming him.

4. Always on each other’s mind

If your hero and heroine aren’t together in a scene, then have their thoughts go to the other so that we know he/she can’t get the other off his/her mind.

5. Patience, grasshopper

Don’t relieve the tension too quickly. Frustration must build and build. There’s a reason why the first love scene doesn’t usually happen until 2/3 the way through a book. (Note: be true to your characters. Maybe it
has been a pattern of your character to hop into bed right out of the gate, but the reader must walk the long road with them as they uncover feelings of real love. -RL)

6. Here we go, wait, not so fast

Give you characters a taste of what they could have, then make them stop. This is the famous device on sitcoms where they start to kiss, but then someone bursts in to interrupt. It doesn’t have to be that obvious. One of the characters could be the one to stop (usually for some internal reason related to the conflict between them.)

7. It’s addictive

Once you do let the two get together the first time (be that a kiss or full-out lovin’), leave them wanting more. Instead of satisfying their need/curiosity/etc., they want each other even more. Now they know what they could have if not for all that pesky conflict. Damn those mean authors who put so much in their way.

8. When all looks like it’s going to work out, pull them apart again.

Romantic comedy movies do this all the time: The characters seem to resolve some conflict and get together. Oh but wait, there’s more! Some conflict wedges between them again.

Don’t resolve the relationship until very near the end. Otherwise, the reader will lose interest.

So how about you? Does your novel have a romance or undercurrent of one?

What author do you read that is a master at creating sexual tension?

Roni Loren’s debut novel, CRASH INTO YOU, will be published by Berkley Heat in January 2012! Represented by Sara Megibow of the Nelson Literary Agency. Follow her on Twitter @RoniLoren or visit her website at RoniLoren.com.

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