Category Archives: For the love of writing

Sign up for Teen Writing Camp on Bainbridge Island!

We’re so excited for the 2017 Teen Writing Camp at KRL’s Bainbridge Island branch!

Calling all Kitsap area teens in grades 7-12! Join me and author Margaret Nevinski for a jam-packed week building your work-in-progress, creating new characters and stories, and strengthening your writing muscles. Every day, we’ll provide writing prompts and activities to stretch your creativity and range. We even have a special camp theme: Character motivation. (Why do our characters act, talk and behave the way they do? Let’s explore!) We’ll sharpen dialogue, delve into interactive memoir using Storybooth, and venture into ekphrastic writing with an art expert at Bainbridge Island Museum of Art (BIMA). (Bonus points if you know what “ekphrastic” means!)Starting the week  in a dramatic setting, we’ll take over the auditorium at BIMA on Monday, Tuesday and Wednesday. On Thursday and Friday, we’ll meet up at our traditional writing headquarters at KRL’s Bainbridge Island Community Room, where we will be among the very first to use the refreshed and renovated space! Prepare to be impressed and writing in comfort and style:)

Wait, there’s more! Margaret and I will provide one-on-one consultation each day, campers will share their prose in The Writers’ Circle, and we will produce our own Literary Magazine. If that isn’t enough, we’re also hosting a A Reading and Celebration of the Teen Writing Camp at BARN! The Friday evening celebration will feature our own intimate Spoken Word event for all camp participants. Invite your family and friends to hear your stories, chapters, poems, and/or essays. Dessert will be served. 

Our teen librarian Stefanie Reddy will provide yummy snacks daily. Your work-in-progress will thank you, and that shiny new journal will love the smell of fresh ink. We can’t wait to write with you!

Registration:

Cost: FREE, thanks to KRL Bainbridge Island
Where: Bainbridge Island
When: Monday, July 17, 2017 –
2 p.m. to 4 p.m.
Repeats every day 5 times, and then again on:
FRIDAY EVENING FROM 7 TO 8:30 PM
A Reading and Celebration of the Teen Writing Camp at BARN

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Filed under Fiction Novel Writing, For the love of writing

An introspective chat about my work, with author Lisa Manterfield

Sometimes we receive unexpected treats. An author interview allows us to pause a moment and consider why we’re doing the work we are, and what we’re really trying to say in our novels. Every time I’ve sat in the spotlight as interviewee, I’ve come away with a surprise insight about my journey, or an “aha!” moment about an issue I’d been struggling with. Recently, I Author-Love-Rebecca-J.-Lacko-by-Lisa-Manterfield-lisamanterfield.com_-768x384had the indulgent pleasure of being interviewed by a trusted confidante I hold in high esteem: Lisa Manterfield, author of the paranormal romance A Strange Companion.

Please check it out to learn

How (and where!) Lisa and I first met
Why music plays such a big role in my novels
A discussion about dead daddies and the protagonists who love them
What I love about working teen writers
What I’m writing RIGHT NOW.

Read the entire post here.

today

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Filed under Fiction Novel Writing, For the love of writing

High and Mighty Low: An interview with the band

fingerI was asked today why music plays such a big role in my fiction writing, and I remembered an interview I did for Mixtape Methodology with the band High and Mighty Low while researching and writing my debut novel RADIO HEAD.  The band covered The Beatles’ iconic song Blackbird, and it got me thinking about how a single song can leave an indelible mark on our lives, just as a good book might. Please read on and share the song that’s your jam.

A Brief Examination of High and Mighty Low’s Blackbird
*as published in Mixtape Methodology

What’s your jam? Maybe you heard your latest fave last night at the club. Or is your best-loved song an old favorite? Many music fans create playlists or vinyl collections featuring songs marking a significant time, or a rite of passage. The beginning of a relationship. Or its end. A song played on repeat in the privacy of headphones or on your morning commute is, for that moment, yours alone. What you listen to forms a lens, calibrating your worldview. When one powerful song becomes “my jam,” it’s the manifestation of your own anthem.

Singer-songwriter Marissa Nadler says Fake Plastic Trees, a song from Radiohead’s The Bends album, marked a musically significant point in her life. “The Bends came out in 1995, and I was 14 and just starting to learn the guitar.” Nadler wanted to sing Fake Plastic Trees; “It was the first time I really successfully played barre chords,” she said. “The Bends, along with [Nirvana’s] In Utero, and even [Hole’s] Live Through This, these were albums that soundtracked the teenage years for me.”

It’s kind of freakish to think about the ingredients that go into an original song. Assuming the band gets along and every member contributes his or her best material, a song comprises the amalgam of the group’s talent. It conveys an image and philosophy using lyrics, and an arrangement of notes to form a melody that carries its own story. A song sets a tone, and illustrates an atmosphere, combining instruments that both harmonize and counter. Arguably, a song is only an idea, rhetoric perhaps, until it is performed. Musicians and singers come to the mic with a personal aesthetic, an inborn message and style, and the restless desire to share their creation with an audience of listeners. The final production includes the input of accompanying musicians, producers, and audio engineers. And possibly Yoko Ono types.

But what about when a band chooses to cover another performer’s song, recording and releasing it alongside the group’s own original offerings? What’s the significance, a shoutout back to the original song-writer? Or perhaps it’s a revelation, a keepsake or a snapshot holding a truth about the performer covering it.

Kurt Cobain of Nirvana once remarked, “When I heard the Pixies for the first time, I connected with that band so heavily I should have been in that band. Or at least in a Pixies cover band.”

Like all music fans, musicians are drawn to songs that mattered to them, for whatever reason. Maybe their favorite marks a milestone. Maybe it gashed a deep wound leaving a lifelong scar, rendering that chosen song a souvenir that must be shared. A covered a song allows listeners to know a given performer on a deeper level than even his or her own creations might reveal. Call it trickle-down mastery, the artists who came before established and reinforced the foundation of modern music. A student’s mastery of an instrument or a vocal style is influenced by the teachers who lead the way, who held the light on the path. For professional performers, those teachers were often their favorite songs.

Los Angeles-based rock band High and Mighty Low is gaining a strong following with their debut album, Bones. The group is comprised of John DiBiase (guitar, vocals), Matt Boehm (guitar), Jeff Mallow (guitar), Scott Schneider (drums), and Rick Zaccaro (bass). Bones covers a broad field of guitar-heavy alternative rock, from the howling guitars featured in Taken to the blazing and energetic, The Tragedies We Hold, to a melodic nod to popular music with, Half The Time.

High and Mighty Low chose to release its debut album with a bonus track, a cover of The Beatles’ Blackbird. A song you’ve likely loved too at some point, Blackbird is listed among the top ten most covered songs, from a wide spectrum of performers in several music categories, from folk-infused Sarah McLachlan to an extraordinary arrangement by Alicia Keys, with only her piano as accompaniment. Pearl Jam’s Eddie Vedder and Foo Fighters’ Dave Grohl have often favored Blackbird at live shows.

Blackbird first appeared on The Beatles (also referred to as the White Album). Written and originally performed as a solo effort by Paul McCartney, Blackbird is credited nonetheless a Lennon-McCartney collaboration.

Blackbird is frankly a weird outtake from High and Mighty Low’s overall sound esthetic. Frontman John DiBiase offered some insight about why the band selected that particular song. Blackbird was recorded on June 11, 1968 (released November 25, 1968), decades before any member of the band was born. How does Blackbird speak for High and Mighty Low, building a bridge beyond the lyrics, melodies, and arrangements they’ve crafted for themselves?

“I love how stripped down that song is,” says DiBiase. “And the guitar playing is obviously fantastic by McCartney.” Stripping down seems to be a hot topic for the DiBiase and the band. The word “bones” happens to appear in a few tracks he wrote “Considering how stripped down some of the album is, I just felt Bones was an appropriate title,” DiBiase added.

According to Rolling Stone magazine, McCartney recorded Blackbird on his own. George Harrison and Ringo Starr were across the pond in California, and John Lennon was recording the song Revolution 9 in another studio. When they were school boys, Paul McCartney and George Harrison attempted to learn a Johann Sebastian Bach piece called Bourrée in E Minor, a song, like Nadler’s Fake Plastic Trees, which marked a significant period in their lives, and on the journey to learning their craft. It became, essentially, their jam. McCartney carried that musical souvenir into adulthood. He said that Blackbird’s fingerpicked guitar lines, written at his Scotland farm, were based on Bach’s Bourrée in E minor.

“Hearing him tap his foot is something,” says DiBiase, referring to the distinctive background sound many believed was merely a metronome. Audio engineer Geoff Emerick mic’d up Paul McCartney’s foot tapping, and added recordings of a singing male blackbird. McCartney told Emerick he wanted the song, “to sound as if he were singing it outdoors.” Emerick said, “Then let’s do it outdoors.” Blackbird was recorded outside Abbey Road Studios’ echo chamber.

The whole production flows in the vein of a busking folk singer in the decade of discontent. The lyrics portray McCartney’s response to US race relations in the 1960s. Sir Paul was in good company. Bob Dylan, Sam Cooke, Pete Seeger, and Joan Baez were also driving forces for grass roots change. But what is it about Blackbird that has endured, enough to inspire a bunch of L.A. dudes in their 20s to resurrect the old favorite?

“The song itself is both simple and complex at the same time,” explains DiBiase, “which is difficult to pull off. And the lyrics and melody are as good as it gets.”

Aside from its significant and long-standing message, John DiBiase says the song “is fun to play, on or off stage. I really do love it.” McCartney would have to agree. Paul McCartney felt compelled to perform it for fans camped outside his house. His inspiration? It was the first night his future wife Linda Eastman stayed overnight. Perhaps that’s what transforms a good song to a classic; it reminds you of a time you’ll never forget.

BLACKBIRD

Written by Paul McCartney, John Lennon
Copyright: Sony/ATV Tunes LLC

Blackbird singing in the dead of night
Take these broken wings and learn to fly
All your life
You were only waiting for this moment to arise

Blackbird singing in the dead of night
Take these sunken eyes and learn to see
All your life
You were only waiting for this moment to be free

Blackbird fly, blackbird fly
Into the light of the dark black night

Blackbird fly, blackbird fly
Into the light of the dark black night

Blackbird singing in the dead of night
Take these broken wings and learn to fly
All your life
You were only waiting for this moment to arise
You were only waiting for this moment to arise
You were only waiting for this moment to arise

Fun fact: “Blackbird” is one of the top ten most recorded covers of all time

Hear Paul McCartney’s Blackbird 

Because it’s nearly impossible to choose only one favorite, the author invites music fans and musicians alike to send their top ten all-time favorite songs to the RADIO HEAD book Fan Playlists page, here. Your top ten matters, share it with the world.

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Writer love: 2nd Teen Story Slam was amazing

Last November, a small circle of writers and I tried something daring. We asked local teens to come out and read something they’d written to a live audience. It could be a poem, a confession, a chapter from a novel in progress, or a short story. The uber-talented (and literary award-winning!) teens in our after school program weren’t so sure about standing in front of a bunch of strangers, but a handful signed up. We thought we’d have an intimate circle of intrepid readers, and we were cool with that. Well, our literary event, Teen Story Slam, WENT OFF! We packed a giant house wall to wall,  on the night of the World Series no less. It was an historic outpouring of enthusiasm for the spoken word. Naturally, the students begged us to do it again.
With the support of Island Cool Frozen Yogurt, the Kitsap Regional Library, and the Bainbridge Artisan Resource Network, we threw another lit party, and packed another venue. The stories were outstanding!
As a teen writing mentor, I’m so thankful to each teen for making this special event happen–again. It gives me a such a warm heart to see these young women and men choose to come out with their parents and friends and share their creativity.
The peer support was overwhelming. Local teens and their friends came early and grabbed the couches and floor space directly in front of the mic. They demonstrated such love, encouragement and acceptance of one another’s words and efforts. Wow! I’m just so thankful for them and for our Teen Story Slam team of organizers. It’s a privilege to share these kids’ writing journeys. Teen Story Slam is good for the heart!

Teen writing co-mentor Margaret Nevinski said, “What a wonderful evening! Our teens are so incredible. So wonderful to see families and other teen supporters show up. These community events are so cool.” There were teens who came to listen but not participate. With the encouragement of friends and the support of a rapt audience, a few pulled up stories on their phones and took to the mic for an impromptu reading. “Nick F. decided to read because his friends did,” Margaret noted. “So proud of our teens.”

Will there be a Teen Story Slam 3? Definitely! We will return in the fall to Westside Pizza for another slam. If you’re considering fun ways to raise funds for non-profit programming, I’d be happy to provide info about organizing your own Story Slam. Just comment below!

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Filed under Best Writer Tips, For the love of writing, Your highest potential

Our 2nd Teen Story Slam is Coming This Spring!

teenstoryslamApril17The teen writers asked for it, so we’re bringing it back! On April 20, 2017, the Teen Story Slam returns. This time, we’re taking over Island Cool, the huge, popular fro-yo restaurant in Lynwood Village on Bainbridge Island.

Teen creative writers in grades 7-12 are invited to step up to the mic to read their own prose for 5 minutes. Anything goes: a short story, a scene from your novel or screenplay, poetry, or wild and wacky true stories. Just keep it PG, please. Every writer who participates gets prize. No competition, no memorization, just pure storytelling awesomeness. In partnership with Bainbridge Artisan Resource Network (BARN), the Kitsap Regional Library, and Island Cool Frozen Yogurt, benefits from the event will support our Teen Writers Workshop after school writing program, and Teen Creative Writing Summer Camp. (More info to come on the camp. We’re going even bigger and brighter this year!)

Beloved Bainbridge High School English teacher Noah Barfield will serve as master of ceremonies. Mr. Barfield is known in the community for his achievements as a playwright, and among his students as a comedian.

At the inaugural Teen Story Slam we had 23 intrepid writers who kept the standing-room-only audience rapt. Will you share your magical words with us in April?

WHEN: Thursday, April 20th, from 6:30 – 8:30 pm (Island Cool has offered to keep the party going if stories remain to be told, but you must sign up!)

WHERE: Island Cool Frozen Yogurt, 4642 Lynwood Center Rd, NE, Bainbridge Island 98110

SIGN UP online here, at the Reference Desk at the Bainbridge Library, or by calling 206-842-4162.

Registration is required to participate. Family and friends are welcome to come cheer on the writers! Donations will support the Teen Writers Workshop at Bainbridge Public Library.

*I co-facilitate a free Teen Writers Workshop with author Margaret Nevinski, MFA. Students meet for the Workshop on the 2nd Thursday of every month during the school year. We also host a week-long Teen Creative Writing Summer Camp each summer that is free to writers in grades 7-12.

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Party for the Oscars – Presented my book!

What an amazing weekend! I had the honor of presenting RADIO HEAD to Oscar nominees, actors, recording artists and press at a pre-Oscar Awards party at the W Hotel in Hollywood! I met some fabulous people, from the legendary Maria Conchita Alonso, to up and coming actors who score roles pretty much everywhere – hi, Austin Mincks and Bill Parks! As a Middle Grade writer and fangirl, I was thrilled to meet Dee Wallace, star of the show, Just Add Magic. My sons and I binge-watch the excellent MG-targeted Amazon series. Thanks to visual artist and dear friend Jason Mascow for taking photos and going above and beyond.
(Love these? Check out my pics from the Grammy Awards party at REN Gallery!)

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Book event! I presented my novel at the Grammy Awards

Who is the ideal audience for a novel offering an insider’s look at the dark reality of the LA rock music scene? Music fans in LA, of course! To celebrate the 2017 Grammy Awards, I had the honor of presenting my debut book, Radio Head, to Grammy nominees, recording artists, music press, producers, and a fascinating group of actors, fashion designers, artists and models. Hosted by European TV host Nana Churcher, the high energy event was held at REN Gallery in downtown Los Angeles on the eve of the awards ceremony. My pen name appeared on the backdrop of the red carpet – how cool is that?! The DJ kept the music pumping, and the vibe was positive. My dear frifaveend, artist Jason Mascow, took all these great pics. Cheers to all the amazing talent I had the pleasure of meeting. Here are some of my favorite pics from the party.

 

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